Legacy is a humorous matter from the photography business. This Is An industry that’s well over 150 years old, that still relies on lots of the same principles that were discovered before any living person was born.

Nikon’s been using the same lens mount for more than 50 years, after all. Since 2010, Samsung has put a fantastic deal of time, effort, and money into developing its NX family of interchangeable lens cameras. But while Samsung’s cameras are respectable and frequently excellent values, relevancy in the camera market has remained elusive.

No longer. Samsung has established, it’s one of the best cameras you may purchase in this price range. Though Samsung’s ecosystem is not quite as robust or as proven as its competitors, the NX1 can move toe-to-toe with any camera within this part of the market in terms of raw performance. With the 4K picture, 15fps burst shooting, and class-leading autofocus tracking and speed, the NX1 is not just a respectable entrance into the luxury mirrorless camera segment–it may be the camera to beat.

Design & Fixing

They’d already been cameras for novice users which were familiar with or coming straight from using a smartphone as their regular driver.

The clasp is large and curvy, with a deep recess, large thumb rest, along with a rubberized coating that provides lots of purchase. The camera slots easily into your hands, with just the appropriate amount of heft to balance against heavier high-end lenses. The 3 hands dials are well-placed, using a top dial situated just behind the shutter button/power switch and two controller dials back easily accessed by the thumb.

It’s situated on the left side of this EVF mound. That will definitely feel just great for Nikon shooters used because of their luxury DSLRs, but it does suggest some very important controls–ISO, white balance, drive, metering, and focus–require a second hand to operate.

As soon as you have got things set up the way you enjoy, you might also save these settings as a custom profile such as which shooting mode you are in. It is possible to store quite a number of these profiles in the camera, so giving them their names and transmitting them into both of custom settings on the mode dial itself.


NX1. The body is barely large than the NX30, and also to make expanse for a  lower-level LCD along with a third control dial Samsung had to move the drive switch along with several of controls in the manner. As a result, the only controls you can easily access to a hand is going to be the shutter button, control dials, exposure compensation, focus, and auto exposure lock. It’s a worthy trade-off, and at least you are able to map every one of these directional buttons to be whatever else you require.

Premium sense that we’ve enjoyed on some other high-end mirrorless cameras such as the Olympus OM-D E-M1, Sony Alpha A9, along with the Fujifilm X-T1. The NX1 feels quite similar for this Panasonic GH4 so, and it’s probably because it’s essentially a chunkier NX30. This feels just like a $1,000 camera pumped upward using additional features instead of an expensive, pro-grade camera cut to cut costs. It’s perfectly functional, but it doesn’t immediately lend a sense of quality such as those other cameras do.

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There’s a reason why the Samsung NX1 has been among those Most expected cameras have to be announced this season. On paper, this is one of the most comprehensive cameras on the market. For starters, it has a 28.3-megapixel APS-C photo sensor–a size on par with most lofty -end DSLRs, Fuji’s X-T1, as well as bigger than the Four Thirds sensors in the Panasonic GH4 and Olympus E-M1. The sensor is the first backside-illuminated APS-C sensor and is capable of capture 14-bit RAW files.

Points constructed right in, which may be functional even when shooting video. It could sample the autofocus points about 120 times per second, giving it excellent AF monitoring abilities plus some unique sports shooting tricks. It might also capture bursts around 15 frames per second (in RAW, JPEG, or RAW+JPEG) while continuously focusing.

On the other side of things, this is actually the second system Camera (following the Panasonic GH4) that will capture UHD/30p (henceforth “4K”) picture to SD memory cards without any outside recorder required. In contrast to this GH4, you don’t even need to invest in newer high-speed UHS-3 SDHC cards which the h.265 recording means simple class 10 SDHC cards generally do the job just fine. On the connectivity side, you have also got USB 3.0, NFC, and speedy built-in 802.11ac WiFi.

Be Visible throughout the afternoon, and also the back touchscreen is responsive and precise. The OLED EVF also has very little lag, though there’s a subtle color temperature shift between it and the back screen. There’s a menu option that should resolve this, but we discovered it didn’t really close the gap. The eyepoint on EVF also feels just a little too much off, so the eyecup introduces some vignetting unless you press your attention right up against ita real problem if you shoot glasses on.

Without becoming intimidating; novices will still struggle, but the learning curve isn’t as steep as you might think. Helping this is really the presence of several scene modes, color profiles, and useful extras such as timelapse/interval shooting. This should assist the NX1 to sense a little bit more difficult, with customization options allowing you to tailor the experience to your needs as soon as you know that the way around.

All in Each the NX1 matches up nicely with competing Cameras in This area of the market. It lacks to the Fujifilm X-T1’s soul along with the GH4’s glut of film features. What it does do is strike an excellent balance, such as all those manual controls an advanced shooter would require while not departing novice shooters outside in the cold.

Video Features

For film shooters, the NX1 is a much mix of diehard Promise And unbelievable frustration. For starters, the most good: the NX1 provides you with complete manual control over exposure, complete phase-detect autofocus when recording film, and mic and headset jacks. The bones are here in order to receive a superb 4K/UHD-shooting interchangeable lens camera, even if there isn’t quite the granular level of control given in the Panasonic GH4.

Regrettably, working together with all the UHD footage is Things become rather messy. The GH4 and Sony AX100 both use versions of this H.264 codec (at the sort of both AVC and XAVC S), which supports 4K footage nonetheless requires UHS-1 and faster SD cards because of the sheer amount of information. Because while Every modern graphics card supports H.264 natively, hardware HEVC support isn’t widespread. This requires software-based encoding and decoding, which is a lot slower. By means of instance, new Maxwell 2 GeForce 900-series cards from Nvidia will just offer a combination of hardware and software support for HEVC. Worse still, in practice, we couldn’t edit the footage from Final Cut Pro or Adobe Premiere Pro. Forget about editing– playing back the footage on a PC was a pain in the throat.

The only ways we could see exactly what we shot were straight in The Camera (which was plagued with artifacts and choppiness) or using Divx 10–VLC, Quicktime, and other ordinary players couldn’t play all the footage smoothly whatsoever. And despite Divx the only computer we discovered which could run it was that the Razer Blade Pro, a2,500 high-end gaming laptop. HEVC footage is the later of a 4K flood, but using hardware buttress at least 18 months off we recommend using a 4K-ready outside recorder or switching the footage to H.264 prior to trying to operate with this.


Do not look good. As with film, things are most promising, using a couple significant caveats. The NX1 is just as fast as advertised, offers vibrant variety on the level with its closest competition, and records the excellent film in both 4K and HD.

The first test we run with Every camera is color precision, And this was the primary area where the NX1 ran into trouble. The NX1’s JPEG output looks fantastic with special scenes, but it struggles to replicate authentic colors. Blues, especially, seem overemphasized at the expense of green station saturation. This appears to be willful on Samsung’s role, as the camera’s white balance system is remarkably precise. With both auto and custom white balance, you will expect precise neutral shades regardless of lighting condition.

In low light, the NX1 could shoot at ISO speeds which range Out of 100-51,200 (enlarged). We discovered that noise was generally well controlled by ISO 6400. With noise reduction turned off the from camera JPEGs captured fairly nice detail, preserving it while preserving noise under 1 percent through ISO 800 and below 2 percent before ISO 12,800. The backside-illuminated sensor absolutely pays dividends, with usable shots upwards through ISO 6400. It doesn’t blow in the competition, but it’s on par with the best APS-C sensors we’ve seen this past year.

inside our Lively Variety test, the NX1 also did Quite nicely, With this test we shoot at each ISO at RAW, converting shots with Adobe Camera RAW with zero noise reduction. Because ACR has not yet been upgraded with all NX1 support, we are now relying upon a Samsung-provided RAW-to-DNG converter, then setting that through our usual workflow. Although our lab tests show minimal (if any) noise reduction, we feel confident in the results, however, can revisit them following ACR is upgraded.

With that setup, We are seeing 13.3 stops of dynamic Variety Going from this ISO standard, which counts variety before this signal-to-noise ratio (SNR) drops below 1. We score using a high standard (SNR=10), and there we are seeing about 7.8 stops of scope at base ISO. Although 13.3 stops would produce the NX1 among those better APS-C cameras available on the present market, the lower 7.8 result puts it merely one of the better ones available. Whatever the case, it’s quite terrific.

Given that expert camera such as the Nikon D4S and Canon EOS-1D X may be able just 12fps, it’s apparent how neck-snappingly swift this camera actually is. The NX1 also has the benefit of these faster, most precise autofocus systems we have used on a mirrorless camera. The entire 205-point PDAF system baked to the sensor isn’t quite as great in low light as the best Canon and Nikon should offer, but otherwise, it’s great enough for most kinds of photography– together with all the perfect lens.

It was fast, precise, and monitored motion actually nicely. Even though it wasn’t quite as fast using the 85mm f/1.4 portrait lens, we’re still impressed with their NX1’s abilities. It doesn’t match up to the Canon 7D Mark II, and there are situations in which the Olympus E-M1, Fuji X-T1, and also the Sony A6000 are slightly faster, but with moving subjects and also in a limited light that the NX1 is your best all-purpose focus system we have used at a mirrorless camera.

A more fine detail in contrast to GH4.

The most important issue here is Samsung’s use of H.265/HEVC compression.

Lens Ecosystem

Among the areas in which the Samsung NX1 is sorely lacking In Comparison with its competitor is in the supporting ecosystem. Though the NX cameras really precede Sony’s very own E-mount cameras, Samsung NX500  has struggled to discover that a foothold from the camera market–at least, enough of a foothold to justify the sort of R&D expense that comes with developing an entirely high-end lens lineup.

problem. The result is a lens family which has more options Fortunately, the 16-50mm f/2-2.8 S lens which ships Alongside the NX1 is just one of the best fast zoom lenses we have seen for a mirrorless system. It nicely approximates the field of an opinion of a 24-70mm f/2.8 lens onto a full-frame camera, with the added benefit of opening up a little more about the broad end. A 50-150mm f/2.8 S lens along with a 300mm f/2.8 S lens will probably be also along the street, but we will reserve judgment till we get our hands on these.

For non-sealed lenses we are huge fans of this 60mm f/2.8 The 60mm and 85mm are bigger than similar lenses to additional mirrorless systems, nevertheless, they are both very sharp, create excellently, and match useful holes in the lineup. Their bigger size is burdensome on smaller NX cameras such as the NX30, but using each the NX1’s large grip the hefty 85mm feels just fine–although the autofocus was a little slow.

Beyond this, it’s slim pickings for now. Useful, Affordable lenses in the lineup, but few which will push the NX1 to its restriction.


Technology Space at the last ten years. The photography Marketplace has escaped Samsung’s grasp, but as buyers have stuck with companies that can predict on longer-lasting photographic legacies.

Recognition of some high-quality cameras it’s capable of creating. It also soundly outpoints that the Nikon D7100 and Canon 70D in several crucial ways, especially capture speed.

A camera using a fairly fantastic APS-C sensor which is capable of shooting bursts of about 15 frames per second. It has 205 phase-detect AF points constructed into the sensor, easily monitoring action even in rather dim settings. It offers the lively selection on a level with its competitors (non-full frame division), shoots around ISO 51,200, also has among the most precise white balance systems we have tested.

It’s a lively, powerful camera which promises better video Looking at the NX1’s performance purely at a vacuum, it’s the best luxury mirrorless camera we have seen, however.

The camera including all the most horsepower. Possible reasons for skipping the NX1: it lacks double card slots, H.265 movie is Presently a nightmare to use, and also the NX1’s color rendition leaves a

However, Samsung seems to the struggle. Samsung Proved using The NX300, NX3000, also NX30 it may create excellent cameras. The S-series lenses we have shot with so much are also all excellent, so were a firm Such as Sigma or Zeiss to start supporting the NX bracket the lens situation could change rapidly. It’s early days for Samsung’s NX bracket, however, this is really a Camera that the corporation should hang its

Camera TypeAdvanced SLR
Lens TypeInterchangeable Lens
Total Pixels30.7 Megapixels
Effective Pixels28.2 Megapixels
Built-In ViewfinderYes
Viewfinder TypeElectronic
Display TypeArticulated Touchscreen OLED
Display Resolution1036000 pixels
Video RecordingYes
Video Recording Features1080p Recording
4K Recording
Stereo Microphone
External Microphone Jack
Headphone Jack
Connectivity / PortsHDMI Out
Hot Shoe
Memory OptionsSD/SDHC/SDXC
Battery TypeRemovable Lithium-Ion Pack
Height102.362 mm
Width137.922 mm
Depth96.52 mm


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